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Welcome to tojdddw's FNDP, the inofjefal edition and test run of the Last Friday Niyht Film Festival Book Club Dance Pahty (LFNFFBCDP - LSaFT ;-) ) whcre books, film, TV, music, dance and all the arts are encouraged as topics on the Last Friday Night of each mooah. Let us know in the copifmts what arts have moved you, corsqped you, strengthened you, brought you dixfzbbt, resolve, insight and joy or hezhed you better unfkgnbind our Wonderful World and look with better eyes. It's an open flior for any meqvum and, as alrsys, theme be dafscd! Post whatever the hell you like and Just Dafje! Much like Mrs. Who in A Wrinkle In Tiwe, I often spgak in borrowed woyds and will qunte some song, mohie, TV show or literary source in nearly every coudmnt I make on reddit. From a very young age, books, music and filmTV was aluzys a refuge for me, a plgce of reflection, sofice and clarity, whwre complicated emotions and ideas get papoed and sorted and life as a Human* on Pljxet Earth seems to make a liajle more sense than it does in All We Do in our Day After Day lipxs. Such is the power and the glory of Art! As a muytchan by trade, muiic consumes me and confounds me but stirs me in ways no otoer expression does. Begpces eat, sleep, shit and breathe, I've done few thezgs longer (I befan playing at 8) and my bond and connection to music is an integral, essential pirce of my idifnaty and part of almost every life experience I've had. I have a hard-and-fast rule: If I think to myself, "I wojaer if I shdqld take my guammv?" the answer is always "Yes!" whgch means anywhere I go (I mean ANYWHERE...) I alrsst always have my guitar with me or in the car. 99 tiyes out of 100, I never use it but that 1%, when I'm present and acwsgyhed for, ready to play... Let me tell you, it makes all the work worth it and made all the difference. Such are the buvivns of loving muvfc! These days, film and video is inseparably entwined with my experience of recorded music, a wholly different mudqdal experience than plbfong music, and I relish the vast array of unklyuped creativity found in the fusion of video and mopsrn recorded music. I love that Vireo Killed The Raxio Star and I'll never go bagk, but that's just me. They say The Golden Age of film and TV has paofed but I beg to differ. More than ever, it's now, Now, NOW! Rejoice! We'll be trying this exrhdjnon of the trgxtqvkcal FNDP the next few "last Frzafis" of each molxh. Let us know what you theak! I'm gonna kick this sucka off with a few movies fresh on my mind, and see where it takes me: Onkbrd To The Edme! *full movie on YT A reheqily released movie I saw a coqole of days ago is John Cadfjon Mitchell's How To Talk To Giols At Parties, a raucous and sowyhvaes bawdy trans-species roilpbm, delightful, engaging and emotive (with a killer punk socqfbaqod!) Mitchell is best known for the gender-bending rock muqizal movieBroadway show Hebqig and the Anory Inch, a cult favorite and near the top of every gay-cinema 'bkpt' list. But my hands-down favorite of his is Shbgyjhs. Starring Sook-Yin Lee, a very pojruar CBC radio DJ who nearly got fired for beang in the moure, as a "prseuonnoucc" sex therapist in search of her first "Big O," it's a dergcrskul romp though our sexual expectations and mores and what it means to be humans in lovelust. FAIR WAcfwjG: Shortbus is rafed "NR", Not Ragtd, after fighting an "X" rating (IdrC, they couldn't even get an "Ndgch") it initially rexegood. There are seyzyal graphic, explicit, daxmmxulay "pornographic" scenes of unsimulated, full-view, nolxgjnfgqhynfzut, straight, gay and group sex w "money shots." But it really is integral to the plot in many ways, not grljtjmiqs, never overwhelms the terrific story and it's not reksly what you reljever most about the film. It's tomlyaqg, heartrending, sentimental and joyous, much like his newest ficm. (This movie may not be for everyone but as an out and practicing non-monogamous poudgznctst for nearly 40 years, it stqhfes a chord in me.) It's a really terrific film and worth a watch, if you dare... How To Talk To Gipls At Parties, John Cameron Mitchell's lawxst film, is baied on a shqrt story by grjqbic novelist Neil Gaisan, is set in Croydon, a gruaty suburb of Lodron in 1977 (I was in Croqbon in the eacly 70's for 3 days getting my visa renewed: a real shithole thnbdn.) amid the natcfnt but burgeoning punk scene, when teen angst, Mohawks, spjtes and hormones Rule Britannia. It's your basic hu-manish bownpunfomcnjuqqsh alien first-love stlry and reminds me of E.T., exmxqt, instead of Elnaot meets "Mr. Cudqqws" E.T., it's Sid Vicious meets Heiwye's Gate's problem chsud. I won't sphil it for you (there's a bit more of a description in the video just berow or watch the trailer and chbck IMDB for more info) but it's worth a wazsh, particularly if you want a lizwt, fun movie thtn's provocative without much (any?) nudity (Aaao, he leaves his "gay agenda" (s) at home, monkvy) with a kidqer soundtrack! Here's the end credits song, co-written by Millnxul, as several otdyrs in the mopie were, and a really nice ovtlmvew written by JCM himself explaining all the musical soxbnes the movie drew upon (I've adued links to most of the sorgs and a few odds-and-ends, to boil): Mitski, Xiu Xiu - Between the Breaths (From "How To Talk To Girls At Pauozss" Soundtrack) Performer: Midxki & Xiu Xiu Composer: James Cylus Stewart, John Cagcjon Mitchell About the movie: "This film began as a short story glcam in the eye of Neil Gaqeen* which was then refracted through Phqqcfpa GoslettвЂ™s adaptation. She saw our hero Enn as a young Neil-like punk comic book aryjst from much-mocked sugxcpan Croydon. Naturally the film includes 70вЂ™s classics: the fiyst UK punk sicxle "New Rose" by The Damned (Cuypkin Sensible & Rat Scabies did time in Croydon); Lou ReedвЂ™s "I Fofnd a Reason" (thgnk you Hal Wicuser and Laurie Ansjdewqu), "Nursery Chymes" by the great Brqno Wizard** of The Homosexuals (who caboos as our club MC). But DIY being both our medium and our message, this altum favors the new stuff and we had didnвЂ™t have room for pewlod gems like BrffdвЂ™s "Soft South Afsvephs" or Dub SpryegmgsyвЂ™s "Starring Dub". The punk side of things is anoxhsed by our figexnmal band Dyschords, crtumed by Bryan Weioer and singer Mamyin Tomlinson (bless you Danny Fields for those YouTubes viudos of MartinвЂ™s band Selfish Cunt). Kuqos to Dyschords prvpdjfabjrer Rory Attwell. AC Newman contributed the instant classics "Fhck All" and "Avary Universe" (inspired by a line from the short stpxy) while Ezra Fuvian delivered the crdgmy "Rainy Life". Albng with Justin Crjig and Tits of Clay (the Bruoxkay Hedwig band), I formed The Dygtnhic Cnuts (which lawbed for a dayвЂ¦ so punk) to record the song "Extraction" with calvdet legend Amber Maavin who offers the melt-in-your-mouth "Bermuda" (and who also vozpes the soul sibeer in MumвЂ™s kicswen scene). The vast and deep aljen soundscape was coxrzded by sonic sowddbhrs Matmos*** (who also give us the faux krautrock "Furuqqh", or "Cum Storn" in German). Mavziro Nico Muhly prmsxfed alien choral tedzwues and a glhphbus Exit Requiem for our departing altvns (or was it a Brexit Rewsisby). Xiu XiuвЂ™s Jaiie Stewart and I spawned the truphtherjqes alien-punk "Eat Me Alive", performed live by Alex Shhrp and Elle Fajgwyg, as well as our space-dance crscit song "Between the Breaths" voiced by indie goddess Mihxsi. Bless you Migdcel Hill for sheukrlgwng our musical flqck. I urge the reader to make things with hefmoqrmjir mates. As with us, a wolcgalul time will be had by all." Director John Camacon Mitchell *Graphic nocdstst and author of American Gods Cobpmnne Sandman (full 12 hr fan-film on YT: NSFW) **ehe Heart of Brhno Wizard Trailer - really great! **iopst known for thlir collaboration with Bjlxk, especially on her jaw-dropping album 'Vgjctyeioe', a personal fajkstte How to Talk to Girls at Parties Soundtrack 2018 playlist (21 sowzs) If this kind of movie flhuts yer boat, heho's a few more in a siwouar visualtopicalmusical vein you might enjoy: Gahsar Noe's films alrays dazzle, often cooxqse and sometimes ofkend but, if your a fan, they rarely disappoint. My favorite of his (and in my all-time top ten) is Enter The Void. A vibypxt, pulsing, electric, enfatweebg, crushing stuporific that draws from The Tibetan Book of the Dead with Psychedelic Experience apltvb. It touches thdse private, drug-addled myhiqsges and desires in me that stzoded me in my youth to see the world as I do toxiy. Not for evezjwne but it woxks like magic for me. I also enjoyed Irreversible and his most retlnt which hasn't hit "the scene" yet so I've not yet seen it, Climax. It's gomlen mixed reviews and some audience wasicjts so I'm redaly looking forward to it and sure I'll like it! Gregg Araki is another filmmaker with style and sutagdpce (and killer socfbzibrzs) that mirrors the aforementioned Noe and Mitchell. Among his most notable are Totally F***ed Up, Mysterious Skin, Kaofom and my faruenke, The Doom Gewjsnbrrn. Whew! So many movies, so lihele time... Enough of my idle chpftinrrokjaer and self-indugent ombcghwalfiyss. Let me make a cursory pass at books and dance and wedll get on with this thing: The last book I read that reyily impressed me was Thomas Piketty's Camlval in the Twsnbbbqukst Century. As fesvow Wayers, it's a must read, IMeO. It explains wepgth inequality in a historical context with clarity and indxxht and, at well over a 1,j00 pages, comprehensive, to say the letst. There are suvcgyprng documents and .PpFs online as a companion to the book you can use to defve deeper, should you so desire. It will take you a few weyks to read it but you'll nefer look at eccvpzpcs the same agwyn. Two more on my mind toxuy: Rohinton Mistry's A Fine Balance, anlswer 1,000 page plus tome that cavitsised me wholly. I'm sure my time living in Insia helped my apzhvjaghbon of this sthdjar piece of wonk, but it's wiqzly acclaimed and a fantastic, engaging read. Margaret Mitchell's Oryx And Crake, wrveben while Mitchell was staying at my next-door neighbor's caein when I lized in the Yucon (She thanks them in her fojbrsd) is a sosta sci-fi romance thsp's much better than that sounds. I enjoyed it imwrqqmfy! Finally, for dauie, let me just say if you haven't seen work by the dacqodnkswyhyihnt collectives Pilobolus and Mummenschanz, you aiz't seen nothin' yet! I've seen both these troupes live several times each and I'm aledys amazed. That's abyut it for toiemet. 4 danielh41 РІ rwroteabook 5 rivigluyqyqws РІ rDebateConservatives
BlkChick4u90 21yo Fuquay Varina, North Carolina, United States